Apolo

Atividade

111490 - Representações do feminino no filme da dança

Período da turma:

21/03/2023 a 11/04/2023

Selecione um horário para exibir no calendário:

Descrição:

Aula 1. Night Journey: Invertendo o ponto de vista clássico

Aula 2. Rosas danst Rosas: O olhar invasivo

Aula 3. Blush: Feminismo masculino?

Aula 4. Bel: A bailarina na periferia do capitalismo

Bibliografia

BERGER, John. Ways of Seeing. London: Penguin Books, 1977.

BANES, Sally. Dancing Women: female bodies onstage. London and New York: Routledge, 1999.

BRANNINGAN, Erin. Dancefilm: choreography and the moving image. New York: Oxford University Press, 2011.

DE KEERSMAEKER, Anne Teresa & CVEJIC, Bojana. A Choreographer’s Score: Fase, Rosas danst Rosas, Elena’s Aria, Bartók. Brussels: Mercaotrfonds, 2012.

DE KEERSMAEKER, Floor. Womanhood in Rosas danst Rosas, 2017. Disponível em:
https://www.rosas.be/en/news/592-womanhood-in-irosas-danst-rosasi

EISENSTEIN, S. Film Form: essays in film theory. 2. ed. New York: Harcourt, 1977.

HAIDU, Rachel. Rosas, the storyless, and the Roles. In: Arts, v. 9, n. 44, 2020in Shaping
Choreography.

HEWITT, Andrew. Social Choreography: Ideology as Performance in Dance and Everyday Movement. London: Duke University Press, 2005.

MULVEY, Laura. “Visual Pleasure and Narrative Cinema”. In: Visual and Other Pleasures. New York: Palgrave Macmillam, 1986, pp. 14-28.

OVÍDIO. Metamorfoses, X, p. 1-82 (trad. Márcio Thamos)

REYNOLDS, Dee & REASON, Mathew (ed.). Kinesthetic Empathy in Creative and Cultural
Practices. Bristol/Chicago: intellect, 2012.

ROSENBERG, Douglas. Screendance: Inscribing the Ephemeral Image. New York: Oxford University Press, 2012.

SÖRGEL, Sabine. Dance and the Body in Western Theatre: 1948 to the Present. London: Palgrave, 2015.

THOMAS, Helen (ed.). Dance, Gender and Culture. London: Macmillan Press, 1998.

THOMAS, Helen. The Body, Dance and Cultural Theory. New York: Palgrave Macmillan, 2003.

THOMS, Victoria. Martha Graham: Gender and the Haunting of a Dance Pioneer. Bristol/Chicago intellect, 2013.

VANDEKEYBUS, Wim. The Rage of Staging. Tielt: Lannoo Publishers, 2016.

WALON, Sophie. Corporeal Creations in Experimental Screendance: resisting sociopolitical
constructions of the body. In: The Oxford Handbook of Screendance Studies. New York: Oxford University Press, 2016.

Carga Horária:

10 horas

Tipo:

Obrigatória

Vagas oferecidas:

100

Ministrantes:

Jane Silveira de Oliveira

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